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A sister’s promise fulfilled: Eva Geiringer Schloss

This is an updated version of Eva Geiringer Schloss’s story that was originally published in November 2023.

On June 12, 1942, Anne Frank was given a diary for her thirteenth

birthday. Less than a month later, she and her family went into

hiding from the Nazis. The story of Eva Schloss Geiringer may

not be as well-known as Anne Frank: The Diary of a Young Girl. Through a

chance meeting with a passionate New Jersey college educator, however, Eva’s

amazing life of sacrifice, survival, and strength is finally gaining the recognition

it deserves.

On a train to Auschwitz, fifteen-year-old Eva made a promise to her

brother, Heinz Geiringer. If he did not survive the camps, Eva promised to

retrieve the paintings and poetry Heinz hid under the floorboards of his attic

hiding place. The film Eva’s Promise, an important addition to the annals of

Jewish Holocaust history, introduces its audiences to Heinz, his artistry, and

Eva’s efforts to find and share her brother’s remarkable legacy.

Heinz Geiringer and Eva Geiringer Schloss’s Holocaust story is chillingly

parallel to that of their classmates, Margot and Anne Frank. Faced with Hitler’s

rise, Erich, Elfriede (“Fritzi”), and their two children, fled from their home and

comfortable life in Vienna, Austria, and settled in the Netherlands, hoping

its history of neutrality would provide a safe haven. Their worst fears came to

pass when Germany invaded Holland.

“As of 15 May 1940, we were living under Nazi occupation, and we had

nowhere else to go,” Eva recalled in her 2013 memoir After Auschwitz: A Story

of Heartbreak and Survival by the Stepsister of Anne Frank. Soon after, the Nazis

implemented the increasingly harsh measures against the Jews that were part

of their Final Solution. In May 1942, Heinz received orders to report for a

deportation to a Germany factory. That evening, the family went into hiding.

As no place was large enough for four people, they were forced to split up. Erich

and Heinz in one apartment; Fritzi and Eva in another. For Eva, her time was

to be “a mixture of two emotions, utter terror and mind-numbing boredom.”

161Remembrance and Legacy A Sister’s Promise Fulfilled: Eva Geiringer Schloss

Meanwhile, Heinz, having to give up his musical interests, spent his time

painting and writing poetry. “I could hardly believe the detailed and impressive

oil paintings that he showed me,” said Eva, recalling the furtive visits she and

Fritzi made to the men’s apartment. “In one, a young man, like himself, was

leaning his head on the desk in despair. In another, a sailing boat was crossing

the ocean in front of a shuttered window.”

On May 11, 1944, Eva’s fifteenth birthday, the Geiringer family was

captured after being betrayed by a double agent in the Dutch underground.

A train took them on an arduous three-day trip across Europe, in what would

be the last time they would be together as a family.

During their ride, Heinz made Eva promise that if he didn’t survive, she

would retrieve the paintings he had stashed under the floorboards of the house

where he and his father had hidden them. “Please, Eva, please,” Heinz told his

sister. “Go and pick it up and show to the world what I achieved in my short

life.” Eva grudgingly agreed.

When the trains reached the concentration camps, Erich and Heinz

were sent to Auschwitz; Fritzi and Eva, to Birkenau. Through sheer luck and

resourcefulness, Eva and Fritzi survived but were barely alive when Soviet

troops freed them in 1945. “I never gave up hope, or the determination that I

would outlast the Nazis and go on to live the full life that I and all victims of

the Holocaust deserved,” Eva said.

Tragically, Heinz and Erich perished in Ebensee, a subcamp of Mauthausen

following the forced march from Auschwitz that came just before the war

ended. The two women eventually returned to Amsterdam and settled into

their family’s apartment, which had remained untouched.

After the war, Otto Frank, their old neighbor, the only surviving member

of his family and his “Annex” companions, took comfort in visits with Fritzi

and Eva. In 1953, Eva became the posthumous stepsister of Anne Frank when

Otto and Fritzi were married. The couple dedicated the rest of their lives to the

publication and promotion of what would be the world’s most famous diary.

In the meantime, Fritzi and Eva had retrieved Heinz’s work, which included

paintings, a sketchbook, and poems, from his and Erich’s last hiding place. For

many years, Eva and her mother kept the paintings and poems in the family.

Eva eventually moved to London, where she married Zvi Schloss, a German

refugee, raised their three daughters, ran a successful antique store, and quietly

moved on with her life despite her recurring nightmares. It was a few years after

Otto Frank passed away in 1980 that Eva, now in her late fifties, began publicly

sharing her wartime experiences in person and through her memoir, Eva’s

Story: A Survivor’s Tale by the Stepsister of Anne Frank (1988). “As soon as I

started talking, I became calmer and didn’t have nightmares anymore,” she said

in her film Eva’s Promise. During one of her talks in Philadelphia, she shared

Heinz’s work for the first time.

A chance meeting with Susan Kerner led Eva to further expand her audi-

ence. In 1994, Kerner, the education director at the George Street Playhouse

in New Brunswick, New Jersey, directed a production of The Diary of Anne

Frank. Kerner reached out to Ed Silverberg, a friend of Anne Frank’s who

had survived the war by successfully hiding, to talk to the cast about life in

Amsterdam after the invasion.

Around the same time, Young Audiences of NJ reached out to Kerner with

a request to work with a playwright to create a play about Anne Frank to tour

schools. The Anne Frank Center in NYC suggested they create a piece about

two hidden children who survived the Holocaust who had a connection with

the now-famous German author.

“I already knew Ed,” recounted Kerner in a 2023 article in the Jewish

Standard Times of Israel. I wanted a woman, and I wanted her to be a camp

survivor.” They put her in touch with Eva Schloss. George Street Playhouse

commissioned playwright James Still to write the play. The final product, And

Then They Came For Me: Remembering the World of Anne Frank, is a gripping

multimedia experience, which combines videotaped interviews with the two

survivors playing behind the actors who portrayed scenes from their lives.

162 163Remembrance and Legacy A Sister’s Promise Fulfilled: Eva Geiringer Schloss

Thirty years later, the play continues to tour around the world.

A lifelong friendship developed between Eva and Kerner, who met peri-

odically. As the success of the play grew, Schloss sold her antique shop and

became a full-time Holocaust educator, traveling in Europe, Asia, and the

United States and participating in talkbacks following performances of the

play in many countries.

More importantly, Eva came to grips with the unfulfilled promise she had

made to her older brother. In 2006, over sixty years after the Holocaust, Eva

gave Heinz’s works to the newly established Het Verzetsmuseum, the Dutch

Resistance Museum in Amsterdam. Soon after, she published her second

memoir, The Promise (2006), followed by her final memoir, After Auschwitz

(2013). She now focused her efforts on preserving Heinz’s’ legacy. “It became

my task that people would remember who he was … and what he achieved,”

Eva said.

As the COVID-19 pandemic shut down the world, Eva realized that she

wanted to do even more to preserve Heinz’s legacy. She reached out to Kerner,

who suggested a documentary film. Kerner recruited Steve McCarthy, her

Montclair State University colleague and an Emmy Award-winning filmmaker,

to direct and coproduce what would become Eva’s Promise. Eva had only two

requests: “Get it done. And hurry.”

Despite the pandemic, the team, which now included McCarthy’s two

sons, flew to London to tape twelve hours of interviews with Schloss. They also

interviewed the staff of the Amsterdam museum that houses Heinz’s work.

The film was completed in 2022.

Kerner and McCarthy worked tirelessly and without pay to produce

the film. Screenings took place across the United States, including a show-

ing at the Ronald Reagan Presidential Library and Museum in Simi Valley,

California. Kerner hopes that the documentary can be used as an educational

tool to counteract the recent dramatic rise of antisemitism as a result of the

Gaza–Israeli War. In 2024, she and McCarthy tested the film in a school with

eleven- to thirteen-year-old children. “The kids were very engaged and had

lots of thoughtful comments and questions,” said Kerner.

Beginning in 2024, Eve’s Promise has been presented on 17 PBS stations.

The film has been screened in film festivals, museums, JCCs, synagogues, and

theaters. Several colleges have included it in course curricula, and the film is

beginning to get adopted in secondary schools. Eva’s Promise was presented

at an Anne Frank exhibit in Columbus, Ohio, in February 2025. The Heinz

Geiringer story, including his poems and paintings, will be featured in an

upcoming New York State Holocaust resource guide along with a clip of the

film. Kerner envisions the resource guide will lead to greater national and even

international exposure.

Until recently, Eva continued her active involvement in Holocaust educa-

tion and advocacy. She has spoken around the world, with a special place in her

heart for her meetings with schoolchildren. She was part of the 2018 campaign

to convince Mark Zuckerberg to ban Holocaust deniers from Facebook,

and she is prominently featured in the Ken Burns 2022 documentary, The

U.S. and the Holocaust. In January 2023, Eva attended the screening of Eva’s

Promise at JW3, a Jewish community center in London. Now nearing her

ninety-sixth birthday, she has stepped back to rest and is enjoying time with

her first great-grandchild. Her grandson Eric, who is featured in the film, now

shares her work.

Before they were forced into hiding, Eva’s father Erich gave his children

the following advice: “I promise you this, everything you do leaves something

behind; nothing gets lost. All the good you have accomplished will continue in

the lives of the people you have touched. It will make a difference to someone,

somewhere, sometime, and your achievements will be carried on.”

Through her books, her films, and her tireless work in Holocaust educa-

tion and advocacy, Eva Schloss has not only kept her promise to her brother

Heinz but also has made the memory of the six million and all who have been

subjected to hatred a blessing and an inspiration.

Please contact Susan Kerner at kerners@montclair.edu for information on showing “Eva’s Promise” in your community.  The film’s website is https://ryanreddingtonmcca.wixsite.com/evaspromise.

Filming Eva’s Promise in London. Seated: Eric Schloss, Eva Geiringer Schloss. Standing: Susan Kerner, Steve McCarthy, Justin McCarthy, and Ryan McCarthy.
Eva and Heinz in Amsterdam before they went into hiding.

PHOTO CREDITS:

Photograph of production team and Eva and Heinz in Amsterdam courtesy of Susan Kerner and Eva Schloss.

Photograph of Eva Schloss : John Mathew Smith and http://www.celebrity-photos.com.“Colonel Zadok Magruder High School.” August 10, 2010. Creative Commons Attribution-Share Alike 2.0 Generic license. Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Eva_Schloss_5.jpg 

“Eva’s Promise,” a documentary about Anne Frank’s stepsister, now showing on PBS.

On June 12, 1942, Anne Frank was given a diary for her thirteenth birthday. Less than a month, she and her family went into hiding from the Nazis. To honor Anne and the six million Jews killed in the Holocaust, I am sharing the story of Anne’s classmate Eva Schloss Geriringer, she herself a Holocaust survivor and after Eva’s mother’s marriage to Otto Frank, Anne Frank’s posthumous stepsister.

“You see, Heinz, I haven’t forgotten you. You were frightened that you wouldn’t make your mark on the world – but you are still with us. You have made your debut.” Eva Geiringer Schloss, After Auschwitz: A story of heartbreak and survival by the stepsister of Anne Frank. 

On a train to Auschwitz, 15-year-old Eva made a promise to her brother Heinz Geiringer. If he did not survive the camps, Eva promised to retrieve the paintings and poetry Heinz hid under the floorboards of his attic hiding place.

Heinz Geiringer’s story sits in the shadow of the better-known Diary of a Young Girl. After the war, Eva became the posthumous stepsister of Anne Frank when her mother married Anne’s father. While the world knows Anne’s story, this film introduces Heinz, his artistry, and his sister’s efforts to find and share his remarkable legacy. Eva’s Promise, an important addition to the annals of Jewish Holocaust history, is currently being shown on PBS stations throughout the United States. 

Heinz Geiringer and Eva Geiringer Schloss’s Holocaust story is chillingly parallel to that of their classmates, Margot and Anne Frank. Faced with Hitler’s rise, Erich, Elfriede (“Fritzi”), and their two children, had fled from their home and comfortable life in Vienna, Austria, and settled in the Netherlands, hoping its history of neutrality would provide a safe haven. Their worst fears came to pass when Germany invaded Holland. 

“As of 15 May 1940 we were living under Nazi occupation, and we had nowhere else to go,” Eva recalled in her 2013 memoir After Auschwitz: A Story of Heartbreak and Survival by the Stepsister of Anne Frank. Soon after, the Nazis implemented the increasingly harsh measures against the Jews that was part of their “Final Solution.” In May, 1942, Heinz received orders to report for a deportation to a Germany factory. That evening, the family made the decision to go into hiding. As no place was large enough for four people, they were forced to split up. Erich and Heinz in one apartment; Fritzi and Eva in another. For Eva, her time was to be “a mixture of two emotions – utter terror and mind-numbing boredom.”

Meanwhile, Heinz, having to give up his musical interests, spent his time painting and writing poetry. “I could hardly believe the detailed and impressive oil paintings that he showed me,” said Eva, recalling the furtive visits she and Fritzi made to the men’s apartment. “In one a young man, like himself, was leaning his head on desk in despair. In another a sailing boat was crossing the ocean in front of a shuttered window. “

On May 11, 1944, Eva’s 15th birthday, the Geiringer family was captured after being betrayed by a double agent in the Dutch underground. A train took them on an arduous three day trip across Europe, in what would be the last time they would be together as a family

During their ride. Heinz made Eva promise that if he didn’t survive, she would retrieve the paintings he had stashed under the floorboards of the house where he and his father had hidden them. “Please, Eva, please,” Heinz told his sister. “Go and pick it up and show it to the world what I achieved in my short life.” Eva reluctantly agreed.

When the trains reached the concentration camps, Erich and Heinz were sent to Auschwitz; Fritzi and Eva, to Birkinau. Through sheer luck and resourcefulness , Eva and Fritzi survived and were freed in 1945 by Soviet troops.”I never gave up hope, or the determination that I would outlast the Nazis and go on to live the full life that I, and all victims of the Holocaust, deserved.” Eva said

Tragically, Eva’s father and brother did not survive the ordeal, succumbing to exhaustion and illness in the last days of their captivity. Fritzi and Eva eventually returned to Amsterdam, and settled in their family’s apartment, which had remained untouched. 

After the war, Otto Frank, their old neighbor, the only surviving member of his family and his “Annex” companions, took comfort in visits with Fritzi and Eva. In 1953, Otto and Fritzi married and dedicated the rest of their life to the publication and promotion of what would be the world’s most famous diary. In the meantime, Fritzi and Eva had retrieved Heinz’ work, which included paintings, a sketchbook, and poems, from his and Erich’s last hiding place. For many years, Eva and her mother kept the paintings and poems in the family.

Eva eventually moved to London, where she married Zvi Schloss, a German refugee, raised their three daughters, ran a successful antique store, and quietly moved on with her life despite her recurring nightmares. It was not until Otto Frank passed away that Eva, now in her late fifties, began publicly sharing her wartime experiences in person and through her memoir Eva’s Story. (1988). “As soon as I started talking, I became calmer and didn’t have nightmares anymore,” she said in Eva’s Promise. During one of her talks in Philadelphia, she shared Heinz’s work for the first time.

A chance meeting with Susan Kerner led Eva to further expand her audience. In 1994, Susan, the education director at the George Street Playhouse in New Brunswick, New Jersey, directed a production of The Diary of Anne Frank. Kerner reached out to Ed Silverberg, a friend of Anne Frank’s who had survived the war by successfully hiding, to talk to the cast about life in Amsterdam after the invasion. 

Around the same time, Young Audiences of NJ reached out to Kerner with a request to work with a playwright to create a play about Anne Frank to tour schools. The Anne Frank Center in NYC suggested they create a piece about two hidden children who survived the Holocaust who had a connection to Anne Frank.

“I already knew Ed,” recounted Kerner in a 2023 article in the Jewish Standard Times of Israel. “I wanted a woman, and I wanted her to be a camp survivor.” The Anne Frank Center put her in touch with Eva Schloss. George Street Playhouse commissioned playwright James Still to write the play. The final product, And Then They Came For Me: Remembering the World of Anne Frank, is a gripping multimedia experience, which combines videotaped interviews with the two survivors playing behind the actors who portrayed scenes from their lives. Twenty-five years later, the play continues to tour around the world. 

A lifelong friendship developed between Eva and Kerner, who met periodically despite the distances between them. As the success of the play grew, Eva sold her antique shop and became a full-time Holocaust educator, traveling in Europe, Asia, and United States and participating in talkbacks following performances of the play in many countries.

More importantly, Eva came to grips with the unfulfilled promise she had made to her older brother. In 2006, over sixty years after the Holocaust, Eva gave Heinz’s works to the newly established to Het Verzetsmuseum, the Dutch Resistance Museum in Amsterdam. Soon after, she published her second memoir, The Promise. (2006), followed by her final memoir After Auschwitz.(2013). She now focused on preserving Heinz’ legacy. “It became my task that people would remember who he was and what he achieved,” Eva said.

As the pandemic shut down the world, Eva realized that she wanted to do even more to preserve Heinz’s legacy. She reached out to Kerner, who suggested a documentary film. Kerner recruited Steve McCarthy, her Montclair State University colleague and an Emmy Award-winning film maker, to direct and co-produce what would become Eva’s Promise. Eva had only two requests: “Get it done. And hurry.”

Despite the pandemic, the team, which now included McCarthy’s two sons, flew to London to tape 12 hours of interviews with Eva. They also interviewed the staff of the Amsterdam museum that houses Heinz’s work. The film was completed in 2022.

Kerner and McCarthy have worked tirelessly —and without pay—to produce the film. Screenings have taken place across the United States, including a red carpet showing at the Ronald Reagan Presidential Library and Museum in Simi Valley, California.Kerner hopes that the documentary can be used as an educational tool to counteract the recent dramatic rise of antisemitism as a result of the Gaza-Israeli War. She and McCarthy recently tested the film in a school with 11-13 year old children. “The kids were very engaged and had lots of thoughtful comments and questions,” said Kerner. She also hopes that it will be shown in museums, theaters, and universities.

Until recently,Eva continued her active involvement in Holocaust education and advocacy. She has spoken around the world, with a special place in her heart with her meetings with school children. She was part of the 2018 campaign to convince Mark Zuckerberg to ban Holocaust deniers from Facebook, and she is prominently featured in the Ken Burns 2022 documentary, The U.S. and the Holocaust. In January 2023, Eva attended the screening of the film at JW3, a Jewish community center in London. Now 94, she has stepped back to rest and celebrate the birth of her first great-grandchild. Her grandson Eric, who is featured in the film, now shares her work. 

Before they were forced into hiding, Eva’s father Erich gave his children the following advice: “I promise you this. Everything you do leaves something behind; nothing gets lost. All the good you have accomplished will continue in the lives of the people you have touched. It will make a difference to someone, somewhere, sometime, and your achievements will be carried on.”

Through her books, her films, and her tireless work in Holocaust education and advocacy, Eva Schloss has not only kept her promise to her brother Heinz but also has made the memory of the six million and all who have been subjected to hatred a blessing and an inspiration. 

Please contact Susan Kerner at kerners@montclair.edu for information on showing Eva’s Promise in your community. 

SOURCES

Filming Eva’s Promise in London. Seated: Eric Schloss, Eva Geiringer Schloss. Standing: Susan Kerner, Steve McCarthy, Justin McCarthy, and Ryan McCarthy.

Eva and Heinz

A Survivor’s Tale: Dutch Nathan

Anne Frank, born on June 12, 1929, was the celebrated diarist who described her life while hiding with her family from the Nazis in an Amsterdam, Holland attic. After capture and deportation, she died in the Bergen-Belsen concentration camp in late winter 1945.The following story, first published in 2018, tells the story of another Jewish child who hid with his family in Holland during World War II and survived to share his story.

Anne Frank is one of the most well known figures from the Holocaust. But she and her family were not the only ones to go into hiding to avoid capture by the Nazis and their collaborators. While some Jews lived in the open with changed identities, others, like the Franks physically hid to avoid certain deportation and almost certain death. Dutch Nathan and his family were one of many who relied on others to help them. 

Gert “Dutch” Nathan was born on January 5, 1932, in Duren, Germany, the second son of Wilhelm (“Willy”)  and Hilde (nee  Friesem) Nathan. Willy had a cattle hauling business which extended throughout Europe. He did not have a formal education, but he was street smart—Dutch remembers that his father could “outcalculate a calculator.” The Nathans lived a mostly secular life in Germany, with observation of major Jewish holidays and his mothers’ lighting of Shabbat candles.

In 1938, after Hitler’s rise, the family moved sixty miles west to Valkenburg, The Netherlands. “Holland had proclaimed neutrality when war broke out in September 1939, as they had done in World I,” said Dutch, “so my father thought our family would be safe.”Willy took a job with the De Valk bus company, a former competitor, where he continued his cattle business.

On May 10, 1940, Hitler’s forces invaded the self-proclaimed “neutral” country. Five days later, after the bombing of Rotterdam, the Dutch forces surrendered. By 1942, the situation began to deteriorate for fellow Jews. Willy made the following arrangements with his friend, Johan Kengen, a member of the Dutch Underground:  If the Nathans were in danger of deportment. Willy would pay for the family to stay in the home of  Kengen’s fiancé’s aunt and uncle  for “a few days” until the Nathans could be spirited away to England. Willy also made arrangements for neighbors to move most of the furniture and bedding to the house next door. Whether the neighbors were paid or volunteered as an anti-Nazi action still remains a mystery to Dutch. 

The plan was put into effect a few month later. While walking from the bus station into the De Valk building, Willy was stopped by a friend and fellow employee:  Germans were waiting for him to arrest him and deport him and his family to the concentration camp.

Father quickly stole a bike and peddled the ten miles home. Dutch and his older brother Fredo were instructed to leave their house one hour apart to walk the two  miles to a house “located on the right hand side just before the road crossed the railroad tracks” with a warning to “not speak to a soul.” Willy and Hilde arrived later that evening, expecting to hear soon from the Underground of their clandestine trip to England. 

Unfortunately, the days turned into week, and the Nathans were still in hiding. Other people, including downed pilots, had priority in the Underground escape plan. To further cover the facts of extra activity in the “safe house,” an elaborate ruse was planned. Johan and the elderly couple’s niece Ann quickly arranged their wedding. At the reception, Johan picked a huge fight with Ann’s parents, who resolved that they would have no contact with the couple until Johan apologized. The newlyweds moved into the house by the railroad tracks, bringing the number to eight. 

As weeks turned into months, tensions grew. The Nathan’s spent most of their time in a small main floor bedroom. Ann was prone to hysterical outbursts, and Willy and Johan would have to physically restrain her to keep her from running outside and giving their situation away. Meanwhile, Hilde was anguishing over the fact that she had not been able bring her parents with them. She was haunted by their deaths in the concentration camp for the rest of her life.

Johan’s government job determining the number of animals that farmers could slaughtered provided a means to get extra meat and milk, but food was still scarce. Dutch and Fredo, 10 and 12 respectively, spent most of their days quietly reading books and avoiding the shaded windows so no shadows would be seen.

Along with possible discovery, the occupants lived in fear of the potential impact of living near the railroad track.The noise from the passing trains provided an extra buffer but also an extra danger:  Allies strafed German trains. They hoped that these attacks would not hit the house, either killing all of them or forcing the Nathans out into the open, thus exposing their dark secret. 

In the second half of 1944, the southern half of Holland was liberated by American troops. (The remaining areas of the Netherlands were not liberated until May 1945.) The Nathans stayed inside for a few more days to make sure they were safe. 

Once they realized they were actually free, the Nathans stepped into fresh  air for the first time in twenty-six months.  “I walked a few feet and collapsed,” remembered Dutch. When asked if he had been overcome with emotion, he said, “I hadn’t used my legs in 26 months and initially had no muscle tone to walk more than a few feet.

Before they could move back into their home, however, Americans bombed Valkenburg. One of the casualties was the Nathan’s home. “No one understood why the brick home next door burned so much,” said Dutch. “The furniture hidden in the attic acted like a tinderbox, and flames shot up in the air for hours.”

In May 1945, the remaining areas of the Netherlands were liberated. Free but homeless, the Nathan family moved into a neighbor’s home until 1946, when they obtained visas to move to United States, where several of Willy’s siblings lived. Willy built a crate the size of a truck and filled it with everything they had accumulated since the end of the war—including a piano. 

Dutch, now sixteen, enrolled in City College to learn English, adding to his previous background of German, French, and Dutch. At 18, he enlisted in the army and volunteered to go to South Korea. When he returned home, he found employment in whatever “made money.” 

In 1979, Dutch, who had been married twice before, met Sue Cohen. He proposed shortly after the meeting, but it took ten years for her to say yes. During this time, Dutch started the Stretch Lace, a Sharon Massachusetts-based company that manufactured and sold elastic shoe laces. (“Tie once, never Tie Again!”) Although his invention was successful, Dutch admitted that he didn’t know marketing and sales. He eventually sold the business, but Easy Laces are still available today and are worn by such celebrities as Brooke Shields. They lived in Sharon for most of their married life before retiring to Kissimmee, Florida, in 2007.

 In 1982, Sue and he were invited by residents of Duren, Germany, to return to the Nathan’s original home. They were treated royally and met with church members as well as school children. Sue’s main mantra to everyone she met was “Just remember! The Holocaust DID happen.” Although their visit was supposed to last a week, Dutch felt uncomfortable. He rented a car, and the two of them toured Europe, driving over 4000 miles before returning to Massachusetts 

Almost seventy-five years after his liberation, Dutch graciously shared the story that he spent most of his life trying to put those terrifying time behind him. “I try not to think about those things,” said Dutch. “It is over and cannot be undone.  His story, however, as those of the fewer and fewer remaining Holocaust survivors, must be told. As Sue Nathan told the people in Germany during the 1982 visit, “Remember. The Holocaust DID happen.” And we Jews and righteous people everywhere will never forget. 

A version of this article originally appeared in the November 8, 2018, issue of the Jewish World News, a bi-weekly subscription-based newspaper in upstate New York.