Tag Archives: #Hallmark

A Hallmark Chanukah [Updated 12/24]

As we look forward to Hanukkah this year, which falls on Christmas Day, Larry and I are looking forward to our long-standing holiday traditions. Eating potato pancakes with applesauce. Lighting candles each night. “Betting” on which candle lasts the longest. Watching Hallmark Christmas movies.

Wait! Hallmark Christmas movies? When did that become a tradition?

For as long as I can remember, I have watched Hallmark movies. For many years, the famous card company aired shows specific to the holidays—Thanksgiving, Christmas, and of course Valentine’s Day. Each two-hour made-for television episode touched my heart. Many were based on classic novels, such as The Secret Garden or Sarah Big and Tall. Others were originals, such as What the Deaf Man Heard. And as much as I loved the shows themselves, I especially enjoyed the tear-jerking commercials (Did you know you can Google them? Watch them with a box of Kleenex next to you!)

In 2001, after the major networks dropped the specials, the company launched The Hallmark Channel. Building on its many fans during the holidays, Countdown to Christmas began in 2009, a promotion of 24/7-blast of cheer that is still running today. Cookie-cutter stories, many based loosely on more expensive big screen movies, have been churned out at an amazingly fast rate, with 136 to date. That is a great deal of Deck the Halls and Jingle Bells, their favorite songs as the movies are touted to be about the spirit of the season, not religion.

Even though Larry and I watched the movies frequently over the years, what sent me over the edge was November 2016, when the election results triggered such fear and anxiety that my doctor suggested Xanax. Dr. Larry suggested an additional remedy: Turnoff MSNBC and tune into Hallmark. I was off the anxiety medication less than three months, but I still have my weekly dose of sap and sugar.

If you have watched only one or two of the productions, you have pretty much seen them all. The Christmas plot fall into two categories. Plot One: A high powered business dynamo needs to learn the real meaning of life and that he/she  can only find in a small idyllic town inhabited by incredibly cheerful people who despite their low-paying occupations (cupcake bakers, store clerks, and staff at huge inn with no guests in sight except the small cast seem to be a favorite) still can afford enough Christmas decorations to cover EPCOT. Plot Two: A poor but kind woman finds out that the incredibly handsome mystery man she is dating is actually the king of a tiny but wealthy country named after a countertop (Cambria) or china pattern (Winshire). Just before the commercial twenty minutes before the show ends, a conflict based on a misunderstanding erupts. No worries! It will be resolved with a kiss one minute before the snow starts and two minutes before the credits roll.

Until recently, Hallmark was all about white heterosexual Christians. People of color were only  seen as the best friend or the minister who marries the happy couple. Gays and lesbians were never seen. This type casting was blown out of the water in  December  2021 when the channel first aired then immediately pulled an advertisement for an event planning site that featured two women kissing at the altar. Within hours of its removal, the incident was all over the news. Within days, the president resigned. Within weeks scriptwriters began churning out stories in which gay, lesbian, and interracial romances are highlighted. By Christmas 2021, diversity was fully integrated into the holiday story lines. 

And those holiday story lines included those about Jewish families celebrating   Hanukkah. Up until 2020, the channel’s attempts at representing a Jewish perspective were major fails for me. Holiday Date. one of three 2019 Hallmark movies with a Jewish twist, involved a Joel, a nice Jewish  boy who pretends to be the boyfriend of Brittany, a nice shiksa from an idyll small town in Pennsylvania. “Hilarity” ensues when Joel, who grew up in New York City surrounded by at least one or two Christians, has no idea how to decorate a tree or make a right-sided gingerbread house or sing “Deck the Halls.” (There is that song again!) My favorite moment is when, once the ruse is uncovered, Brittany’s mother comes out of the kitchen holding a tray full of potato latkes and wearing an “Oy Vey” apron that she managed to find on the first night of Chanukah in the town’s only store. The plots of the other two, both involving interfaith romances, made Holiday Date look like Casablanca. 

In recent years, Hallmark has redeemed itself with three great Hanukkah movies: Eight Gifts of Hanukkah (2021); Hanukkah on Rye (2022); and Round and Round (2023). These three fine movies contain with a (mostly) Jewish cast and great story lines. Sure, as are all of the channel’s movies, they are schmaltzy, but they will make you kvell with Yiddishkeit pride!

So why do I—along with many others who will not come out of the closet—love the shows? Simple. They are mindless, sweet, non-political, non-violent, and always guarantee to result in a happy ending. I still cry every time King Maximillian and Allie embrace at the end of A Crown for Christmas.(Take that, you wicked Countess!) What held true for me in 2016 holds true in 2024. I need a break from news about wars and politics and environmental disasters. Grab the dreidel shaped sugar cookies and hot chocolate. It’s time for a Hallmark Christmas movie!

A Hallmark Hanukkah: Why I Still Like Cheesy Christmas Movies So Much!

Even though the pandemic has altered our world, my husband Larry and I will still maintain many of our traditions this Hanukkah. Eating latkes with applesauce. Lighting candles each night. “Betting” on which candle lasts the longest. Watching Hallmark Christmas movies.

Wait! Hallmark Christmas movies? When did that become a tradition?

For as long as I can remember, I have watched Hallmark movies. For many years, the famous card company aired shows specific to the holidays – Thanksgiving, Christmas, and of course Valentine’s Day. Each two-hour made-for-television episode touched my heart. Many were based on classic novels, such as The Secret Garden or Sarah Plain and Tall, while others were originals. And as much as I loved the shows themselves, I especially enjoyed the tear-jerking commercials. (Did you know you can Google them? Watch them with a box of Kleenex next to you!)

In 2001, after the major networks dropped the specials, the company launched The Hallmark Channel. Building on its many fans during the holidays, the channel has churned out 136 Christmas shows to date. That means a great deal of “Deck the Halls” and “Jingle Bells,” their favorite seasonal songs, as the movies are touted to be about the spirit of the season, not any one religion in particular.

The plots of their Christmas movies fall into two categories. If you have watched only one or two of the productions, you have pretty much seen them all. 

Plot one: A high-powered business dynamo needs to learn the real meaning of life, which can only be found in a small, idyllic town inhabited by incredibly cheerful people who, despite their low-paying occupations (favorite include cupcake bakers, store clerks, and staff at a huge inn with no guests in sight except the small cast), can still afford enough Christmas decorations to cover EPCOT. 

Plot two: A kind, hard-working woman finds out that the incredibly handsome mystery man she’s dating is actually the king of a tiny but wealthy country named after a countertop (Cambria) or china pattern (Winshire). Twenty minutes before the movie ends, a conflict erupts based on a misunderstanding – but no worries! It will be resolved with a kiss one minute before the snow starts and two minutes before the credits roll.

Up until this past year, Hallmark was all about white, heterosexual Christians. People of Color were seen only as the best friend or the minister who marries the happy couple; LGBTQ+ characters were never seen at all. This policy was upended last year, when the channel pulled an advertisement that featured two women kissing at the altar. Soon after, scriptwriters began churning out stories that highlighted more diverse romances, including LGBTQ+ couples and interracial relationships.

What’s still largely missing, though, are stories about Jewish couples. Loving Leah (2009) was the closest to a true Jewish romance, featuring a non-observant Jewish bachelor who feels compelled to marry his rabbi brother’s widow to honor him via the ancient Jewish law of yibbum (levirate marriage). 

For me, though, the channel’s attempts at celebrating Hanukkah have been major fails. 

Holiday Date told the story of Joel, a nice Jewish boy who agrees to pretend to be the boyfriend of Brittany, who is headed back to her small Pennsylvania hometown to celebrate Christmas with her family. Hilarity allegedly ensues when Joel (who grew up in New York City, certainly surrounded by at least one or two Christians) has no idea how to decorate a tree or make a gingerbread house or sing “Deck the Halls.” Moments after the ruse is uncovered, Brittany’s mother comes out of the kitchen holding a tray of potato latkes and wearing an “Oy vey” apron. Of course, the two end up together, promising to observe both Christmas and Hanukkah. 

The plots of the other two 2019 Hallmark Hanukkah movies, both involving interfaith romances, made Holiday Date look like Casablanca. This year, Hallmark tried again. Love, Lights, Hanukkah!, which first  aired on December 14. recounted  the story of Christina, who was raised Italian Catholic by her  adoptive mother, discovers through genetic testing that she is 50% Jewish. Over the next eight days, she finds her family and romance. While I loved the acting, (both Mia Kirshner and Ben Savage are Jewish!) and some very authentic Jewish moments, especially those that involved singing the prayer when lighting the menorah, I still wished in the end that somehow Christina would change her name to Channah and completely embrace her Yiddishkeit roots. Oh well! Maybe next year  Hallmark will make a movie about two Jews who fall in love over dreidels and potato latkes without a Christmas tree in sight! 

So why do I – along with many others who likely keep mum about their penchant for Hallmark movies – love these films? Simple. They’re mindless, sweet, non-political, non-violent, and always guaranteed to result in a happy ending. I still cry every time King Maximillian and Allie embrace at the end of A Crown for Christmas. (Take that, you wicked Countess!) 

These feelings hold even truer in 2020: I need a break from COVID-19 and the elections and the transition. So grab the dreidel-shaped sugar cookies and hot chocolate: I’ll yet again be indulging in the holiday season with Hallmark Christmas movies!

Published on ReformJudaism.orgwebsite December 24, 2020 and in the (Capital Region New York) Jewish World on December 10, 2020.